![]() ![]() ![]() Can also choose the birch or cherry wood. シナベニア Shina Plywood (Tilia japonica): Plywood for woodcut, originally basswood from Japan. * For this workshop, you can get two different kind of plates, one is Shina Plywoodplate (11 cm x 15 cm x 4 mm) and another one is lindenhout plate (11 cm x 15 cm x 5 mm). You can compare the print techniques between etching/engraving, lithography and woodcut prints. * In this workshop, you can get a chance to see the special collections of Dr.Ad Stijnman who is a printmaker and print historian. You can also learn which Japanese papers are suitable for your way. The last step as Suri-shi 摺師, you make printing inks and afterwards you print this woodcut with a Baren and on different Japanese papers. All this together is the most suitable for making this kind of print works.į irst you make your design as E-shi 絵師 and transfer it onto a wooden plate, next with knives you carve as Hori-shi 彫師. A Baren is a Japanese traditional instrument that is used instead of a printing press. We do this with color ink and Yamato Nori (non-toxic glue) on water-base using horsehair brushes and onto Japanese paper with the Baren. Next we will see the demonstration using ready made plates with beautiful Japanese classic designs as Suri-shi 摺師 to try to print the woodcut plates. Your data will only be used for communication with you and for invoicing, and will not be shared with third parties without your prior consent. You are allowed to find someone in your place if you organise payment yourself and let the organisation know. Please note that your place is only guaranteed after payment is completed.We request that you pay the workshop costs as soon as possible after your registration, or your place may be given away. * Maximum number of participants 6, minimum 4.Īs your registration, please send your message including your name, age, address and mobile number to Yuriko MiyoshiĪfter your registration, you will receive an email with the information for this workshop and an invoice with the bank account for the payment. #History of moku hanga plusIncluding materials, miniflyer, drinks and TAX plus 福袋 Fukubukuro (=Japanese Lucky Bag) with an original Hanga (=print work). ![]() Artists represent the countries of Australia Canada Croatia Finland Ireland Italy Japan Macau, People’s Republic of China the Netherlands, New Zealand Norway Poland South Korea the United Kingdom and the United States of America.100 euro p.p. It promotes the understanding of mokuhanga and its history, and encourages the study and practice of mokuhanga printmaking in the global art community. This exhibition bridges time periods, places, generations, and disciplines through a celebration of the tradition of mokuhanga. The diverse works include abstract to representational styles, vibrant to subtle hues, contemporary commentary and humor, and an unusual pair of plaited prints. Mokuhanga, a traditional Japanese woodblock printing technique, is widely recognized through ukiyo-e prints that were popular during the Edo period (1603–1868).īeauty of Mokuhanga features 107 woodblock prints and hand-printed artists’ books created by 68 invited artists from around the world. Images courtesy of Gaye Chan, Chair, Department of Art and Art Historyįrom UH Manoa: The juried international exhibition Beauty of Mokuhanga: Discipline & Sensibility celebrates the Third International Mokuhanga Conference, which is being held outside of Japan for the first time. #History of moku hanga seriesThe Old Jamestown Bridge series was selected for inclusion in Beauty of Mokuhanga: Discipline and Sensibility in conjunction with the International Mokuhanga Conference 2017, held at the University of Hawai‘i at Manoa. ![]()
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